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OLYMPIAN, adj. Relating to a mountain in Thessaly, once inhabited by gods, now a repository of yellowing newspapers, beer bottles and mutilated sardine cans, attesting the presence of the tourist and his appetite.
OMEN, n. A sign that something will happen if nothing happens. ONCE, adv. Enough. OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes. All acting is simulation, and the word simulation is from simia, an ape; but in opera the actor takes for his model Simia audibilis (or Pithecanthropos stentor) – the ape that howls.
OPPOSITION, n. In politics the party that prevents the Government from running amuck by hamstringing it.
OPTIMISM, n. The doctrine, or belief, that everything is beautiful, including what is ugly, everything good, especially the bad, and everything right that is wrong. It is held with greatest tenacity by those most accustomed to the mischance of falling into adversity, and is most acceptably expounded with the grin that apes a smile. Being a blind faith, it is inaccessible to the light of disproof – an intellectual disorder, yielding to no treatment but death. It is hereditary, but fortunately not contagious. OPTIMIST, n. A proponent of the doctrine that black is white.
ORATORY, n. A conspiracy between speech and action to cheat the understanding. A tyranny tempered by stenography. ORPHAN, n. A living person whom death has deprived of the power of filial ingratitude – a privation appealing with a particular eloquence to all that is sympathetic in human nature. When young the orphan is commonly sent to an asylum, where by careful cultivation of its rudimentary sense of locality it is taught to know its place. It is then instructed in the arts of dependence and servitude and eventually turned loose to prey upon the world as a bootblack or scullery maid.
The Devil's Dictionary by Ambrose Bierce, online at Fun-With-Words.com.
The second, which we recommend highly, is The Unabridged Devil's Dictionary by Ambrose Bierce, which has about 1,600 citations.
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